A Measured Presence That Resonated In its second appearance at 3 Days of Design in Copenhagen, MOR Design delivered a focused presentation that drew more than 14000 visitors. Rather than chasing trends, the brand reinforced its design direction with clarity, material integrity, and long-term coherence.
The exhibition introduced two key collaborations. The AITAI Chair by Kengo Kuma brought structural lightness and architectural rhythm to furniture scale. The Arco Tray by John Pawson translated proportion and restraint into a functional, minimal object. Both launches extended MOR's design vocabulary while remaining true to its essence. Alongside the new works, MOR presented key pieces from its existing catalog.
The DOME Lamp by Pedro Sotomayor, carved in solid marble, remains a highlight for its sculptural purity. The LIFT Lounge Chair by Julien Renault featured fluid ergonomics in a wooden frame. The LISBOA Lounge Chair by Keiji Takeuchi combined stainless steel and natural leather for indoor-outdoor versatility.
Daniel Schofield's ALLAY Chair brought tactile calm and refined simplicity in solid wood. MOR's booth stood apart for its consistency and restraint.
It resonated strongly with a design-literate audience seeking substance, not spectacle. The reception confirmed MOR's position within the international design landscape: steady, distinct, and confident in its own rhythm.
